Actors, costumes, and props

-
Actors:
  • The roles that I have to cast:
    • Tash - lead girl, 18 
    • Jake - her brother, 18 - will not feature as heavily, but will need to feature both at the beginning and the end.
    • Two parents
    • News reporter
    • Extras - survivors, zombies - no more than 7, extras will never need to feature as both in a scene.
  • In all likelihood I am going to be casting my friends from a theatre group outside of school, from school, and potentially my siblings. They are all incredibly talented and mentally I have based these characters off how I think any of them would rationally react in a situation like this in the real world.
Costumes:
  • The costumes would be very simple, and likely involve simple exercise gear and coats, of which I can supply, or actors supply their own.
  • For the zombies, and the news reporter, these would likely be the same, and given the 'conscious zombie' approach, there will be no need for extreme, gory, makeup.
Props:
  • The only prop I have detailed in my screenplay so far is a taped up wooden stick that Tash uses as a weapon when she goes searching for her brother - this is taken from a sign I had from a protest so nothing will need to be acquired.

Comments

Post a Comment

Popular posts from this blog

Screenplay Complete Draft

-
 This was my first complete draft of a screenplay, completed in early December. I felt as though I had most of the broad storyline down and it was mostly dialogue and more specific elements that would be worked on before filming. UNTITLED SHORT FILM EXT. ABANDONED PLAYGROUND – MORNING Grey skies. Scattered around the floor are what appear to be human bodies, yet they don’t look like dead bodies, they seem to be still conscious and alive, yet somehow unhuman at the same time. A scruffily clad teenage girl steps backwards into frame and slowly backs into the open space ahead of her, she has a panicked expression and seems to As she backs up slowly, a news report suddenly breaks the silence. At this point two other figures break into the frame, slightly stumbling forwards and mumbling quietly, seemingly in English but impossible to properly make out. The path of the girl is followed as she backs up into a set of swings, into a corner and it is presumed that she cannot escape
Read more

Pros and Cons of Digital vs Physical presentation

-
Some of the pros of digital presentation include: Digital work is much easier to edit seamlessly than physical work, annotated screengrabs can be used in the place of sketches in some cases, everything is much easier to keep in order. However, one major con of digital presentation is that you have a risk of not saving your work and losing everything and having to redo everything you have just done - there is no risk of this with physical work. Some of the pros of physical presentation include: You have more control over the intricate details of the aesthetic of your work, and like mentioned before, you can't forget to save your work, so can't lose everything and have to restart. The cons of physical presentation are that: It could be difficult to get all handwritten notes into one place and in order, and that it is harder to add anything digital to physical work, than it is to add physical work to a digital presentation. My major experience in presenting projects is the DT GCSE
Read more

The Ellington Kid - Spectatorship

-
 In ‘The Ellington Kid’, we are situated with certain characters through the positioning of the camera. This happens so that different emotions and feelings are created towards those certain characters. For example, with Nathan and Beefy, the two characters having the conversation, we are situated right in their conservation, with an eyeline match, being on the other side of the room, and there visibly being space at their table. When it comes to spectating the Ellington Kid himself, we are situated with the boys behind him, we are the threatening presence following him, and this feeling thus creates sympathy for the threatened kid and emotionally aligns us with him. This alignment with the gang also just makes us, as the audience, feel much more predatory in general, creating a discomfort in the actions of our viewership, and so the gang as well. Lastly, the kebab shop workers – most of the shots they are involved with are POV shots from their position, which again separates the boys
Read more